Solo
2022 Hughadēsłēł — give it all away, SFU Audan Gallery, Burnaby BC, Canada Black Gold, web, produced by Centre Clarke, Montreal, QU, Canada
2021 Tailings Pool 87 Higgins Ave, Stages, Plug-in Contemporary, Winnipeg, MA, Canada Black Gold Grunt Gallery, Vancouver, BC, Canada
2019 Black Gold Untitled Art Society, Calgary, AB, Canada
2018 future generations Artspace, Peterbourogh, ON, Canada
2016 Ore Body ImagiNative Film and Media Festival; Gallery 44, Toronto, ON, Canada LAND|MINE MFA Thesis Exhibition OCADu Student Gallery, Toronto, ON, Canada, mentored by Ryan Rice and Dr. Julie Nagam
Group
2022
In Deep, Platform Cerntre, Winnipeg, MB, Canada What Water Knows, The Land Remembers, 2022 Toronto Biennial, Great Bear Money Rock; Collaborative Installation with Erin Siddall, 5 Jarvis, Toronto, ON, Canada askoch pipon pesim kah nipa muskoseya nepinpesim eti pimachihew | Like the winter snow kills the grass, the summer sun revives it, exhibition tour, The Robert McLaughlin Gallery, Oshawa, ON, Canada
2021
Overburden, Kootney Gallery of Art, Castlegar, BC, Canada MOMENTA BIENNALE DE L’IMAGE, Great Bear Money Rock Collaborative Installation with Erin Siddall, “The Lake is a Cup”, VOX, centre de l’image contemporaine, Wet Futures, and “Great Bear Lake is the Boss”, Galerie de l’UQAM, Of the Land Montreal, QU, Canada Groundwork, Contact Festival, Critical Distance Centre for Curators Toronto ON Canada
2020
Grounding, The Art Gallery of Guelph, Guelph ON, Canada Future Retrospectives, Design TO, Harbourfront Centre, Toronto, ON, Canada Extra Tough, Women of the North, Anchorage Museum, Anchorage, Alaska, USA Our Ancestors’ Trail, Liu Gallery, The Liu Institute of Global Issues and The Lab of Archeology at the Museum of Anthropology, UBC Vancouver, BC, Canada Future Retrospectives, Design TO, Toronto ON, Canada
2019
askoch pipon pesim kah nipa muskoseya nepinpesim eti pimachihew | Like the winter snow kills the grass, the summer sun revives it, Truck Contemporary, Calgary, Alberta, Canada Prototypes for Possible Futures, Speculative Energy Futures, FAB Gallery, University of Alberta, Edmonton, AB, Canada Memory Keepers II, NSCAD Art Incubator, Halifax NS and "Art in the Open" Contemporary Arts Festival, Charlotte Town, PEI, Canada Transmissions Tactics, Lantern Gallery, Winnipeg MB, Canada enTitle: Our home and Native land, Penticton Art Gallery, Penticton BC Canada Mantel, Evergreen Cultural Center, Coquitlam, BC, Canada Her Body Will Remember, Kelowna Art Gallery, Kelowna BC, Canada opapāmācihowak/ The Travellers, Nordic Lab artist delegation, Supermarket 2019, Stockholm, Sweden Becoming Lithocene, Walter Phillips Gallery, Satellite Space, Banff, AB, Canada
2018
ECO|FEMINISMS, The White House Studio Projects, Toronto ON, Canada níchiwamiskwém | nimidet | ma sœur | my sister, La Biennale d'art Contemporain autochtone (BACA) The Contemporary Native Art Biennial- 4th edition, Art Mur, Montreal, QU, Canada The Tribe Has Spoken Skwachàys Gallery, Vancouver, BC, Canada INSERGENCE/RESERGENCE Winnipeg Art Gallery, Winnipeg, MB, Canada Crafted Strangers Center for Craft, Creativity and Design, Asheville, NC, USA
2017
Tree Temporality Artist Research Project and Exhibit, Open Space Gallery & OCAD University Toronto, ON, Canada What is Left? / What is Right? Forrest City Gallery, London, ON, Canada Riot Rock Rattles Feminist Art Museum Conceptual Workshop and Sound-Installation; Leslie Spit, Evergreen Brickworks and The Gardner Museum, Toronto, ON, Canada Woodland School, Drawing a Line from January to December SBC Gallery for Contemporary Art Montreal, QU, Canada Ejinda: Push it! Sled Island Music and Arts Festival, Calgary AB
2016
Settlements, Open Studios, Banff Centre for the Arts, Banff AB, Canada IAMD Grad X, OCADu Student Gallery, Toronto ON, Canada There is Bread and Salt Between Us Open Space Gallery, Toronto, ON, Canada Doomsday; A Survival Guide Luminato Festival, Toronto, ON, Canada Future 33 YTB Gallery, Toronto ON Culture Shift: Contemporary Native Art Biennial Stewart Hall Art Gallery, Saint Clair and Art Mur Gallery, Montreal, QU, Canada Hearings. Researching Historical Sites Initiative Artist Research Project and Conceptual Workshop; Todmordon Mills, Toronto, ON, Canada OMEGA: I Am Woman Windsor Gallery, Vancouver, BC, Canada
2015
Reflections OCADu Student Gallery, Toronto, ON, Canada Envelopments: Paths Taken and Not Taken IAMD year one group exhibition; Robert Kananaj Gallery, Toronto, ON , Canada Make Re|make Un|make: Repetition and the Artistic Process Seymour Art Gallery, North Vancouver, BC, Canada Coming to the Fire Roundhouse, Vancouver, BC, Canada
2008-2014
Interweavings Richmond Art Gallery (RAG), Richmond, BC, Canada, 2014 Emily Carr Graduation Exhibition Emily Carr University of Art + Design, Vancouver, BC, Canada, 2011 Grand Entry Artist and Consultant. Aboriginal Student Exhibition; Concourse Gallery, Emily Carr University of Art + Design, Vancouver, BC, Canada, 2010 Bloodlines Curator and Artist. Aboriginal Student Exhibition; Concourse Gallery, Emily Carr University of Art + Design, Vancouver, BC, Canada, 2009 Originated Aboriginal Student Exhibition; Concourse Gallery, Emily Carr University of Art + Design, Vancouver, BC, Canada, 2008
Performance
2022
In Oil We Trust. Ociciwan, Edmonton Alberta, Canada
2020
Kontsets’i eł na’eneslus: An echo, I am sewing. The University of Alberta, Augustana Campus, Camrose, AB Canada
2019
Sinuosity Performance Collaboration with Jeneen Frei Injootli for the Toronto Bianelle, as part of “Tellings: a Post Human Vocal Concert” at the OCAD Graduate Gallery, Toronto, ON, Canada Kontsets’i eł na’eneslus: An echo, I am sewing. Performance for Gathering accross Moana, Imaginative Film Festival, Toronto ON, Canada Kontsets’i eł na’eneslus: An echo, I am sewing. Memory Keepers II curated by the Glam Collective for Art in the Open, Charlotte Town, P.E.I, Canada Sinuosity Performance Collaboration with Jeneen Frei Injootli at the Hemispheric Institute of Performance and Politics, Encuentro 2019, "The World Inside Out: Humour, Noise and Performance" Mexico City, Mexico Alimentary, performance series also with Patrick Cruz and Amy Wing-Hann Wong. Performative lecture at Obrera Centro artist run center, Mexico City, Mexico Kontsets’i eł na’eneslus: An echo, I am sewing. yəhaw̓ Together we Lift the Sky, Seattle Office Of Arts & Culture’s ARTS at King Street Station, Seattle WA, USA Kontsets’i eł na’eneslus: An echo, I am sewing. Black Gold, Untitled Art Society, Calgary, AB, Canada
2018
Sinuosity Performance Collaboration with Jeneen Frei Injootli at La Biennale d’art Contemporain autochtone (BACA) The Contemporary Native Art Biennial- 4th Edition níchiwamiskwém | nimidet | ma sœur | my sister, Art Mur, Montreal, QU, Canada
2017
Your Indigenous Tour Guide FUSE performance; Vancouver Art Gallery, Vancouver, BC, Canada Ejinda: Push it! Sled Island Music and Arts Festival, Calgary AB Tree Temporality Open Space Gallery and OCAD University, Toronto, ON, Canada Woodland School, Drawing a Line from January to December SBC Gallery for Contemporary Art, Montreal, QU, Canada
2016
Sinuosity Performance Collaboration with Jeneen Frei Injootli, Banff Centre for the Arts, Banff, AB , Canada Reverb: Sound Seeds Performance Collaboration with Julie Nagam as part of the Hemispheric Institute of Performance and Politics Encuentro, “eXcéntrico, dissidence, sovereignties, performance”; Santiago, Chile Post-Performance / Discussion-Action by Maria Hupfield “Typist” (Performance Assistant); MONOMYTHS Progress Festival and FADO; Toronto, ON, Canada
2008-2015
México es una Fosa Común (Mexico is a Mass Grave) Component of the Hemispheric Institute of Performance and Politics Course, “Art, Migration and Human Rights”; San Cristóbal de las Casas, Chiapas, Mexico, 2015 Petroglyphs Performance Assistant to Peter Morin; Satellite Gallery, Vancouver, BC, Canada, 2010 in order to contemplate the making for the live biennial Performance Assistant to Peter Morin; White Chapel Gallery, Vancouver, BC 2009 Art Hamlet Performance Collaboration with Perry Rath. 2-day multi-disciplinary Performance; The Old Church Venue, Smithers, BC, Canada, 2008